by Stephanie Osborn
Interstellar Woman of Mystery
http://www.stephanie-osborn.com
This week, my publicity team is promoting my Displaced Detective series. It's been described as, "Sherlock Holmes meets the X-Files," and it's a series of hard science fiction mysteries starring none other than Sherlock Holmes and a character of my own creation, Dr. Skye Chadwick.
The Displaced Detective Series is a science fiction mystery series in which the brilliant hyperspatial
physicist, Dr. Skye Chadwick, discovers that there are alternate realities, and said alternates are often populated by those we consider only literary characters. Her pet research, Project: Tesseract, hidden deep under Schriever AFB, is her means of looking in on these continua. In one particular reality, continuum 114, a certain Victorian detective (who, in fact, exists in several continua) was to have died along with his arch-nemesis at the Reichenbach Falls. Knee-jerking, Skye intervenes, rescuing her hero, who inadvertently flies through the tesseract wormhole connecting his universe with ours, while his enemy plunges to his death. Unable to send Holmes back without causing devastating continuum collapse due to non-uniqueness, he must stay in our world and learn to adapt to the 21st century.
So I thought I'd give you a taste of the start...
~~~
Prologue—Objects, Subjects, and Beginnings
A tall, dark figure, clad in formal Victorian eveningwear, strode briskly down the shadowed street, casually swinging his silver-embellished walking stick. No carriages had passed in the last half-hour, and only one hansom cab had wandered by ten minutes before, its horse’s hollow hoofbeats echoing between the buildings. The gas street-lamps were long since lit, but between them were patches of deep darkness, patches entirely too broad for comfort in these circumstances. Beneath the brim of his silk top hat, eagle-sharp grey eyes darted about, studying the shadows, alert and aware. For well this man knew that danger lurked in the gloom this night, danger peculiar to him alone; and he was alone. So very alone.
But not for long. He was headed to a specific destination. To the one man he knew he could trust, the one man who would stand at his side regardless of danger—for had he not done so, many times before? Was not this the reason for the deep, if largely unspoken, bond of friendship between them?
His friend would help. There was no doubt in his mind on that point. Already today two attempts had been made upon his life, and well did this man need help.
"Not far now," the words breathed past thin, pale lips. "Almost ther—"
The words died on said lips.
A hulking, brutish shadow materialised from the alleyway in front of him. The elegant man in the top hat ducked just in time to avoid the lead-weighted bludgeon that swung through the space his head had occupied fractions of a second before. Instead, the silk hat took the brunt of the blow, flying across the sidewalk and into a puddle in the gutter, its side crushed. Flinging up his cane and grasping each end in his hands, the gentleman dropped into an Oriental horse stance, and prepared to do battle.
"’Ere, now," the other figure said, in a coarse growl. "Hit’s th’ end o’ you, it is. Me superior won’t be ‘arvin’ it, an’ Oi means t’ see ‘e don’t ‘arve ta."
"You can try," the gentleman replied, calm. "But better men than you have tried, and here I stand."
A guttural, angry sound emerged from the assailant, and the cudgel swung again, this time with enough force to crush bone. Deft, the gentleman caught it with the center of his cane, but to his chagrin the walking-stick, his weapon of choice in many a similar street altercation, chose that moment to give up the ghost. It snapped in two, splintering and cracking. He snarled his own irritation, and flung the pieces aside when he realised there was not enough left to use as a decent weapon.
Then he began to flit and weave as the other man smirked and lunged at him, swinging the club repeatedly, as hard as he could. It was a dance of death, and one wrong move by the gentleman would have serious, possibly fatal, consequences.
But the man in the evening dress was not without weapons; no, his best weapons were permanently attached to his person. The alert grey eyes watched, looking for some opening; and when he saw his chance, he struck like lightning. A fist shot out at the loutish face, catching the hit man squarely in the mouth just as he realised his danger and started to shout for help. All that came out was a grunt, however, and the assassin fell to the pavement as if pole-axed, with both lips split.
The gentleman hissed in pain, grabbing his fist with his other hand for a moment to let the worst of the discomfort pass before examining the damage.
"By Jove, he has sharp teeth for such a troglodyte," he murmured, peeling off the ruined black kid glove to expose the bloody knuckles beneath. "Completely through the leather and into the flesh. I shall have to have this disinfected, for certain. No time for that now. Go, man!" He turned swiftly to resume his journey.
A crack resounded from the brownstone close at hand, and the man felt a spray of stone chips strike the side of his face. He flinched, and a sharp curse left his lips. He took to his heels and rounded the corner of the street, then disappeared into shadow.
* * *
Not ten feet away from the gentleman, though invisible to him, an elegant blonde woman in a white lab coat stood between tall, electronic towers. Behind her, concentric rows of computer consoles were manned by two dozen scientists, engineers, and technicians. Surrounding all of them was a huge, domed room carved from solid pink granite.
The woman stood for long minutes, silent, watching.
Finally one of the technicians broke the electronic silence.
"So, Doc, whaddaya think?"
"What do you think, Jim? How were the readings?" The woman turned toward him.
"I’ve got bang-on, Dr. Chadwick," Jim noted, glancing down at his own console, brown eyes darting about as he surveyed his readouts. "But I can’t say for everybody else."
"Rock steady at Timelines," someone else called.
"Sequencing looks good…" another said.
"Software’s running nominally."
"Hardware’s humming right along…"
On it went, from console to console. Finally the woman nodded.
"Perfect," she purred in deep satisfaction. "We’ve got our subject. Page Dr. Hughes and have her come down."
"On it, Doc," Jim grinned, reaching for the phone.
~~~
This is book 1 of the series! Four are already published, with more on the way!
For more, or to purchase this and more books in the series, go to my website, www.stephanie-osborn.com or find it on Amazon.
-Stephanie Osborn
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Wednesday, September 18, 2013
Wednesday, September 11, 2013
Another Guest Post by Aaron Paul Lazar, and My Comments and Thoughts On It
This little blog article fascinates me. I'll explain why at the end of the guest post.
-Stephanie Osborn
http://www.stephanie-osborn.com
~~~
Word Paintings
by Aaron Paul Lazar
Word paintings are like photographs. The creative wells from which they spring are similar in both writers and photographers.
For example, it takes a special talent to frame a great shot in nature. It’s this same appreciation for the “visual feast” that gives writers the extra perceptive eye they need to describe a scene that breathes life into a story. Of course, all of the senses are employed when constructing a literary scene. Sounds, aromas, and tactile sensations all contribute to setting the scene that creates a unique sense of place.
Every image that was ever impressed on my brain ends up in a story. Whether it’s the light dancing through stained-glass windows in a Parisian chapel, curly green-gray lichen covering a boulder at the edge of a pond in Maine, or hoarfrost dangling from a cherry tree branch in January, these images are tucked away in the recesses of my mind. In time, they bubble back, persistently itching, until they are poured onto the page.
If you long to write, if it eats away at you until you are spent after hours of writing, if you ache to join your characters in a daily romp in your parallel universe, this probably sounds familiar. These abundant, precious aspects of life are the sweet fodder for your next story. Soak it all up. And carefully weave them into your next chapter.
~~~
The reason this fascinates me is that -- well, you see, my husband Darrell Osborn is an artist. A GOOD artist. You like the covers on my books? Chances are he did those. And that of some other writers at Twilight Times Books. And those of some other books with other publishers. I watch him work and am in awe: how does he do that? How does an image emerge out of nothingness beneath his fingers? Whether those fingers are holding a sketch pen, an airbrush, or a computer mouse, he's just amazing.
Me? I literally can't draw a straight line with a ruler. Oh, I can see it in my head, but I can't get it represented...
...Unless I use words. I like to say that I paint with words. Given that many fans have said reading my books is like watching a movie in their heads, I suppose I do well enough. And yes, Aaron is completely right in that I store away mental images of the places I've been, the things I've seen, and they all become fodder for my writing.
So yeah, Aaron and I must think alike, LOL.
-Stephanie Osborn
http://www.stephanie-osborn.com
-Stephanie Osborn
http://www.stephanie-osborn.com
~~~
Word Paintings
by Aaron Paul Lazar
Word paintings are like photographs. The creative wells from which they spring are similar in both writers and photographers.
For example, it takes a special talent to frame a great shot in nature. It’s this same appreciation for the “visual feast” that gives writers the extra perceptive eye they need to describe a scene that breathes life into a story. Of course, all of the senses are employed when constructing a literary scene. Sounds, aromas, and tactile sensations all contribute to setting the scene that creates a unique sense of place.
Every image that was ever impressed on my brain ends up in a story. Whether it’s the light dancing through stained-glass windows in a Parisian chapel, curly green-gray lichen covering a boulder at the edge of a pond in Maine, or hoarfrost dangling from a cherry tree branch in January, these images are tucked away in the recesses of my mind. In time, they bubble back, persistently itching, until they are poured onto the page.
If you long to write, if it eats away at you until you are spent after hours of writing, if you ache to join your characters in a daily romp in your parallel universe, this probably sounds familiar. These abundant, precious aspects of life are the sweet fodder for your next story. Soak it all up. And carefully weave them into your next chapter.
~~~
The reason this fascinates me is that -- well, you see, my husband Darrell Osborn is an artist. A GOOD artist. You like the covers on my books? Chances are he did those. And that of some other writers at Twilight Times Books. And those of some other books with other publishers. I watch him work and am in awe: how does he do that? How does an image emerge out of nothingness beneath his fingers? Whether those fingers are holding a sketch pen, an airbrush, or a computer mouse, he's just amazing.
Me? I literally can't draw a straight line with a ruler. Oh, I can see it in my head, but I can't get it represented...
...Unless I use words. I like to say that I paint with words. Given that many fans have said reading my books is like watching a movie in their heads, I suppose I do well enough. And yes, Aaron is completely right in that I store away mental images of the places I've been, the things I've seen, and they all become fodder for my writing.
So yeah, Aaron and I must think alike, LOL.
-Stephanie Osborn
http://www.stephanie-osborn.com
Wednesday, September 4, 2013
More On The Inner Life of Writers: A Guest Post by Aaron Paul Lazar
Since he wrote about the big dream of writers, and the nature of writing success, last week, I thought I'd let Aaron talk a little more about the inner life of authors. Enjoy.
-Stephanie Osborn
http://www.stephanie-osborn.com
~~~
Are all Writers Egoists?
by Aaron Paul Lazar
Writers are terribly self-centered.
Now, don’t get offended. I’m not really talking about all of you. I’m pretty much talking about me.
Strangely enough, I don’t think anyone in my non-writer life would label me an egoist. Or an egotist, for that matter. I had to look up the difference, but there isn’t much of a distinction, as far as I could tell.* Anyway, I can’t picture someone calling me either one of those. At least not to my face.
With my family, colleagues at my day job, and with neighbors and friends, I try to be a good listener. I try to be generous. I take time to be there for them, to encourage them when they’re down, to support them when they’re mourning. I care about family and friends and frequently make sacrifices for them.
I sound pretty great, don’t I?
Ahem. Read on.
In my writerly world, I am horrified to admit that I have recently come to learn I’m a HUGE egoist.
Look at the first few paragraphs in this piece. How many times did I use the word “I?” TWELVE! It’s always all about what I think, or what I noticed, or what I wrote. Isn’t it? (Of course, I guess it might be hard to write about what you think or notice. LOL.)
I started to ponder this recently when I had a confrontation with a friend, and she pointed out to me how much I write about **me**. After a bit of soul searching, I realized she was right.
But it got me to thinking.
I try to be a good guy. I really do. This is in spite of all the stupid things I do, like dribbling my red herbal tea on the new carpet at work yesterday (I spent an hour cleaning it) and consistently forgetting to attach files to emails. If it can be screwed up, I’ll do it.
So, I’m an egoist and a klutz.
That’s not all. No. Not only am I all of the above, I’m mean.
REALLY mean.
I am merciless to my characters. I put them through the wringer time and time again, without care for their suffering. I torment them. I make them endure horrible losses. I hurt ANIMALS, for God’s sake. Okay, so I rescue them in the end, but what kind of a jerk does that to poor, defenseless animals?
Sigh.
I suppose we writers can always pretend to sit back and be the philosophical documenter, the great observer, the quintessential Hemmingway-esque witness of life. But however life presents itself - brutal or tender, seedy or majestic - all fiction comes from our inside our own minds. It’s all about how we see it. How we imagine. How we think our characters would feel.
Isn’t it?
So, how do we compensate for being such egoists?
It’s not as bad as it sounds. It certainly isn’t hopeless, and I’m pretty sure we can redeem ourselves.
Maybe we can find redemption by setting good examples through our characters' actions while they're in the midst of dashing here or there during the page turning suspense. One thing I never intended to do with my three mystery series was to teach lessons about nurturing a family, tending to a disabled wife, dealing with trauma or loss, or being a good father or grandfather. Those things just found their way into my books, because my characters do that stuff in their everyday lives. To my surprise, my readers have come back and thanked me for doing just that. It humbles me to think that by including some amusing family scenes in the middle of the mayhem, I might have actually done some good. One fellow actually told me I made him a better dad. And another wrote to say I got him through his chemo. Like I said, it’s all pretty darned humbling.
Can examples like these make up for my weaknesses and faults? For that great big ego? For my incessant ranting about me???
Man. I sure hope so.
***
–Egoist, noun 1. self-centered or selfish person ( opposed to altruist). 2. an arrogantly conceited person; egotist.
Egotist, noun
1. a conceited, boastful person. 2. a selfish person; egoist.
-Stephanie Osborn
http://www.stephanie-osborn.com
~~~
Are all Writers Egoists?
by Aaron Paul Lazar
Writers are terribly self-centered.
Now, don’t get offended. I’m not really talking about all of you. I’m pretty much talking about me.
Strangely enough, I don’t think anyone in my non-writer life would label me an egoist. Or an egotist, for that matter. I had to look up the difference, but there isn’t much of a distinction, as far as I could tell.* Anyway, I can’t picture someone calling me either one of those. At least not to my face.
With my family, colleagues at my day job, and with neighbors and friends, I try to be a good listener. I try to be generous. I take time to be there for them, to encourage them when they’re down, to support them when they’re mourning. I care about family and friends and frequently make sacrifices for them.
I sound pretty great, don’t I?
Ahem. Read on.
In my writerly world, I am horrified to admit that I have recently come to learn I’m a HUGE egoist.
Look at the first few paragraphs in this piece. How many times did I use the word “I?” TWELVE! It’s always all about what I think, or what I noticed, or what I wrote. Isn’t it? (Of course, I guess it might be hard to write about what you think or notice. LOL.)
I started to ponder this recently when I had a confrontation with a friend, and she pointed out to me how much I write about **me**. After a bit of soul searching, I realized she was right.
But it got me to thinking.
I try to be a good guy. I really do. This is in spite of all the stupid things I do, like dribbling my red herbal tea on the new carpet at work yesterday (I spent an hour cleaning it) and consistently forgetting to attach files to emails. If it can be screwed up, I’ll do it.
So, I’m an egoist and a klutz.
That’s not all. No. Not only am I all of the above, I’m mean.
REALLY mean.
I am merciless to my characters. I put them through the wringer time and time again, without care for their suffering. I torment them. I make them endure horrible losses. I hurt ANIMALS, for God’s sake. Okay, so I rescue them in the end, but what kind of a jerk does that to poor, defenseless animals?
Sigh.
I suppose we writers can always pretend to sit back and be the philosophical documenter, the great observer, the quintessential Hemmingway-esque witness of life. But however life presents itself - brutal or tender, seedy or majestic - all fiction comes from our inside our own minds. It’s all about how we see it. How we imagine. How we think our characters would feel.
Isn’t it?
So, how do we compensate for being such egoists?
It’s not as bad as it sounds. It certainly isn’t hopeless, and I’m pretty sure we can redeem ourselves.
Maybe we can find redemption by setting good examples through our characters' actions while they're in the midst of dashing here or there during the page turning suspense. One thing I never intended to do with my three mystery series was to teach lessons about nurturing a family, tending to a disabled wife, dealing with trauma or loss, or being a good father or grandfather. Those things just found their way into my books, because my characters do that stuff in their everyday lives. To my surprise, my readers have come back and thanked me for doing just that. It humbles me to think that by including some amusing family scenes in the middle of the mayhem, I might have actually done some good. One fellow actually told me I made him a better dad. And another wrote to say I got him through his chemo. Like I said, it’s all pretty darned humbling.
Can examples like these make up for my weaknesses and faults? For that great big ego? For my incessant ranting about me???
Man. I sure hope so.
***
–Egoist, noun 1. self-centered or selfish person ( opposed to altruist). 2. an arrogantly conceited person; egotist.
Egotist, noun
1. a conceited, boastful person. 2. a selfish person; egoist.
Wednesday, August 28, 2013
Guest Post by Aaron Paul Lazar: For Writers: The Ultimate Reward
For Writers: The Ultimate Reward
by Aaron Paul Lazar
What do you picture when you dream about your book’s success? Do you envision readers stopping you in the grocery store with stars in their eyes? Getting on Oprah? Seeing your book in the front window of your local book store?
Or maybe you dream of your book riding at the top of the NY Times bestseller’s list for months at a time? How about dining in New York City with Mr. Warren Adler, of War of the Roses fame? Talk about a dream made in Heaven, this writer is one of the century’s best. Of course, this repast would be followed by a glowing, personal endorsement of your works by the master.
Am I close?
Are you being honest?
Over the years I’ve pictured several of these dazzling dreams happening to me. Including a multi-million dollar movie deal in which Yannick Bisson (Of Murdoch Mysteries fame) plays Gus LeGarde. And of course, the world would fall in love with the LeGarde family and beg for more each year. I imagined quitting my engineering job, staying home to write, making enough money to pay down the debt and take care of long needed repairs, like the twenty-six windows that shake and rattle every time the wind blows.
I envisioned copies of my books in everyone’s home library. Worldwide, mind you. Not just in the States.
Lots of dreams. Big dreams. And all revolved around the traditional definition of success.
Recognition. Adulation. Confirmation that my work is valued. And enough money to take care of a small country.
A few weeks ago something happened that changed all that.
Judy, one of my lunchtime walking partners, had been canceling walks and working through lunch to make extra time to care for her elderly mother. We all admired her, watching as she shopped for her mom, took her to numerous doctors’ appointments, and tended to her increasing needs with fortitude and devotion. She was one of five siblings, but took the bulk of the responsibility on her shoulders.
The cancellations increased in frequency, and it seemed we’d never see our friend on the walking trails again. We worried when her mother was admitted to the hospital. Up and down, her progress seemed to change like the December wind that skittered across the parking lots at work.
Judy was absent a few days, then a few more. Something felt wrong.
Then came the dreaded email. The subject line always seems to say the same thing. “Sad News.”
Judy’s mom had passed away, released from her earthly bonds and finally free to float among the angels.
When Judy returned to work a week later, she shared stories about her mother’s final days. One of them surprised me greatly, and fundamentally changed my definition of success.
Judy read to her mother during her final stay in the hospital. For hours on end. She happened to have my second book, Upstaged, handy and began to read to her during her responsive times. Sometimes her mother would just lie there with her eyes closed, and Judy didn’t know if she was listening. Frequently, she’d ask, “Do you want me to continue reading, Mom?” Her mother would respond. A nod or a short word.
“Yes.”
A nurse perched behind Judy and became involved in the story, too. So Judy would continue reading aloud, giving comfort to her mother and providing a little armchair escapism to her nurse. Solace came from the tentative loving voice of her daughter, close and warm. And she was reading my words.
It floored me.
In a flash, I realized if one woman could be comforted on her deathbed by my books – I’d already reached the definitive pinnacle of success.
You’ll never know how your stories will affect the world. Not until it happens. So keep writing and imagine the best. Not the money, not the fame, not the ability to quit that day job. Imagine affecting one solitary soul in their final moments on this earth, and you’ll have pictured… the ultimate reward.
~~~
I think this big dream is something all writers dream of, and few achieve. But still we hope! And in the end, Aaron is right: if we have fans, no matter how few, who truly enjoy our writing, we have been successful.
-Stephanie Osborn
http://www.stephanie-osborn.com
by Aaron Paul Lazar
What do you picture when you dream about your book’s success? Do you envision readers stopping you in the grocery store with stars in their eyes? Getting on Oprah? Seeing your book in the front window of your local book store?
Or maybe you dream of your book riding at the top of the NY Times bestseller’s list for months at a time? How about dining in New York City with Mr. Warren Adler, of War of the Roses fame? Talk about a dream made in Heaven, this writer is one of the century’s best. Of course, this repast would be followed by a glowing, personal endorsement of your works by the master.
Am I close?
Are you being honest?
Over the years I’ve pictured several of these dazzling dreams happening to me. Including a multi-million dollar movie deal in which Yannick Bisson (Of Murdoch Mysteries fame) plays Gus LeGarde. And of course, the world would fall in love with the LeGarde family and beg for more each year. I imagined quitting my engineering job, staying home to write, making enough money to pay down the debt and take care of long needed repairs, like the twenty-six windows that shake and rattle every time the wind blows.
I envisioned copies of my books in everyone’s home library. Worldwide, mind you. Not just in the States.
Lots of dreams. Big dreams. And all revolved around the traditional definition of success.
Recognition. Adulation. Confirmation that my work is valued. And enough money to take care of a small country.
A few weeks ago something happened that changed all that.
Judy, one of my lunchtime walking partners, had been canceling walks and working through lunch to make extra time to care for her elderly mother. We all admired her, watching as she shopped for her mom, took her to numerous doctors’ appointments, and tended to her increasing needs with fortitude and devotion. She was one of five siblings, but took the bulk of the responsibility on her shoulders.
The cancellations increased in frequency, and it seemed we’d never see our friend on the walking trails again. We worried when her mother was admitted to the hospital. Up and down, her progress seemed to change like the December wind that skittered across the parking lots at work.
Judy was absent a few days, then a few more. Something felt wrong.
Then came the dreaded email. The subject line always seems to say the same thing. “Sad News.”
Judy’s mom had passed away, released from her earthly bonds and finally free to float among the angels.
When Judy returned to work a week later, she shared stories about her mother’s final days. One of them surprised me greatly, and fundamentally changed my definition of success.
Judy read to her mother during her final stay in the hospital. For hours on end. She happened to have my second book, Upstaged, handy and began to read to her during her responsive times. Sometimes her mother would just lie there with her eyes closed, and Judy didn’t know if she was listening. Frequently, she’d ask, “Do you want me to continue reading, Mom?” Her mother would respond. A nod or a short word.
“Yes.”
A nurse perched behind Judy and became involved in the story, too. So Judy would continue reading aloud, giving comfort to her mother and providing a little armchair escapism to her nurse. Solace came from the tentative loving voice of her daughter, close and warm. And she was reading my words.
It floored me.
In a flash, I realized if one woman could be comforted on her deathbed by my books – I’d already reached the definitive pinnacle of success.
You’ll never know how your stories will affect the world. Not until it happens. So keep writing and imagine the best. Not the money, not the fame, not the ability to quit that day job. Imagine affecting one solitary soul in their final moments on this earth, and you’ll have pictured… the ultimate reward.
~~~
I think this big dream is something all writers dream of, and few achieve. But still we hope! And in the end, Aaron is right: if we have fans, no matter how few, who truly enjoy our writing, we have been successful.
-Stephanie Osborn
http://www.stephanie-osborn.com
Wednesday, August 21, 2013
An Indian Soul, Guest Post by Aaron Paul Lazar
Hey guys! Aaron's excerpt got such a great response last week, I thought I'd let him talk about himself and his writing a bit more! So here he is, discussing ancestry and culture! Enjoy!
-Stephanie Osborn
http://www.stephanie-osborn.com
~~~
An Indian Soul
by Aaron Paul Lazar
I’ve always been fascinated by Indian* culture. Not from a touristy point of view, mind you, but more from a strong, unyielding pull that comes from deep inside me and seems to grow stronger with every year.
I’m not sure why this is happening, but I do know I have some native blood flowing in my veins. My grandmother told me that one of her French Canadian ancestors married a native woman. I’ve been proud of that fact all my life, but went along blindly accepting the fact without asking more questions until it was too late. My grandmother and father both died in the same year—1997—and there’s no one else to query about which tribe my great, great, great grandmother may have belonged to, or where she lived in Canada. I do know that my grandmother was born in a little town named Beau Rivage, near Quebec, and that it no longer exists because of an intentional flooding done to create a lake, or some such thing. Some folks have suggested our tribe was the Metis, but I have no proof. I never asked my grandmother more than that. Sigh. I really wish I had.
But there’s something inside that draws me to the woods and outdoors with such a visceral pull, I can’t resist. I’m deeply happy when I’m hiking in the woods, tending my gardens, or sitting beside the Sacandaga River. I frequently imagine what life would have been like as an Indian brave—hunting, tending orchards, managing crops, running through the woods all day. It’s more than an occasional speculative thought. I seem to think about it a lot.
I believe God intended us to live as one with nature, managing our woods and fields carefully, without chemicals. This concept starkly contrasts with the lives many of us have now, sitting in an office behind a computer screen. Our bodies aren’t meant to do that, they’re meant to move and bend, with the strength and agility that comes from activity. If only we could somehow recapture the beautiful, natural ways of our ancestors who lived and nurtured the land, I know we’d eliminate high blood pressure, cancer, diabetes, and more.
When I started to write my Don’t Let the Wind Catch You, the sequel to Tremolo: cry of the loon, I decided to make the ethereal spirit who shows up in chapter 1 an Oneida Indian.
The Iroquois Nation, whose people call themselves the Hau de no sau nee, consists of six individual tribes located in the northeastern region of North America. The Six Nations includes the Mohawk, Oneida, Onondaga, Cayuga, Seneca, and Tuscarora. I chose the Iroquois tribes because I know people of this tribe once lived and walked on the same trails I frequent, and it seemed fitting, you know?
Penaki, or Penni, as she’s affectionately known, pesters young Gus and his friends to find evidence in an old abandoned house that is rumored to still harbor the virus for the Genesee Valley Fever, which killed hundreds in the late 1700s. She needs to be avenged by having the truth come out, so she can be released from her earthly bonds.
When I write about Native Americans, whether it’s Don’t Let the Wind Catch You or my new Tall Pines series, I feel most inspired while sitting by the Sacandaga River, in Hope, New York, or hiking the deep woods nearby. I picture the land before roads bisected its wild beauty, before electric poles marred its view, in a time when man had to rely on his skill and wit to survive.
Like I said, I’ve always been fascinated by this culture. In lieu of going back in time to live life among the trees and rivers, I guess I’m creating a new world, where treachery may lurk around each corner, but where natural beauty abounds, as well.
I’m definitely enjoying the ride.
You can read the first chapters in Don’t Let the Wind Catch You by clicking on the title. Let me know what you think by contacting me at aaron dot lazar at yahoo dot com.
Aaron Paul Lazar
*I’ve read a lot of books on Indians lately, and have been educated to discover that most tribes don’t like being called Native American, they prefer either their tribe name (like Seneca or Cherokee), or native people, or Indian. So I’m trying to dump the PA term from most of my discussions to honor them.
~~~
I can definitely relate to what Aaron is saying. I have most of the genetic traits of Native Americans, and my grandmother quite a few generations back is said by one side of the family to have been a full-blood Cherokee escapee from the Trail of Tears. Another side of the family says she was full white. But those genetic markers say that SOMEONE in my family had Native blood. I'm just not sure where. I do know that I am one of the few people in the State of Alabama that has been recognized in court by the Western Band of Cherokee as BEING Cherokee. I am honored in that.
-Stephanie Osborn
http://www.stephanie-osborn.com
-Stephanie Osborn
http://www.stephanie-osborn.com
~~~
An Indian Soul
by Aaron Paul Lazar
I’ve always been fascinated by Indian* culture. Not from a touristy point of view, mind you, but more from a strong, unyielding pull that comes from deep inside me and seems to grow stronger with every year.
I’m not sure why this is happening, but I do know I have some native blood flowing in my veins. My grandmother told me that one of her French Canadian ancestors married a native woman. I’ve been proud of that fact all my life, but went along blindly accepting the fact without asking more questions until it was too late. My grandmother and father both died in the same year—1997—and there’s no one else to query about which tribe my great, great, great grandmother may have belonged to, or where she lived in Canada. I do know that my grandmother was born in a little town named Beau Rivage, near Quebec, and that it no longer exists because of an intentional flooding done to create a lake, or some such thing. Some folks have suggested our tribe was the Metis, but I have no proof. I never asked my grandmother more than that. Sigh. I really wish I had.
But there’s something inside that draws me to the woods and outdoors with such a visceral pull, I can’t resist. I’m deeply happy when I’m hiking in the woods, tending my gardens, or sitting beside the Sacandaga River. I frequently imagine what life would have been like as an Indian brave—hunting, tending orchards, managing crops, running through the woods all day. It’s more than an occasional speculative thought. I seem to think about it a lot.
I believe God intended us to live as one with nature, managing our woods and fields carefully, without chemicals. This concept starkly contrasts with the lives many of us have now, sitting in an office behind a computer screen. Our bodies aren’t meant to do that, they’re meant to move and bend, with the strength and agility that comes from activity. If only we could somehow recapture the beautiful, natural ways of our ancestors who lived and nurtured the land, I know we’d eliminate high blood pressure, cancer, diabetes, and more.
When I started to write my Don’t Let the Wind Catch You, the sequel to Tremolo: cry of the loon, I decided to make the ethereal spirit who shows up in chapter 1 an Oneida Indian.
The Iroquois Nation, whose people call themselves the Hau de no sau nee, consists of six individual tribes located in the northeastern region of North America. The Six Nations includes the Mohawk, Oneida, Onondaga, Cayuga, Seneca, and Tuscarora. I chose the Iroquois tribes because I know people of this tribe once lived and walked on the same trails I frequent, and it seemed fitting, you know?
Penaki, or Penni, as she’s affectionately known, pesters young Gus and his friends to find evidence in an old abandoned house that is rumored to still harbor the virus for the Genesee Valley Fever, which killed hundreds in the late 1700s. She needs to be avenged by having the truth come out, so she can be released from her earthly bonds.
When I write about Native Americans, whether it’s Don’t Let the Wind Catch You or my new Tall Pines series, I feel most inspired while sitting by the Sacandaga River, in Hope, New York, or hiking the deep woods nearby. I picture the land before roads bisected its wild beauty, before electric poles marred its view, in a time when man had to rely on his skill and wit to survive.
Like I said, I’ve always been fascinated by this culture. In lieu of going back in time to live life among the trees and rivers, I guess I’m creating a new world, where treachery may lurk around each corner, but where natural beauty abounds, as well.
I’m definitely enjoying the ride.
You can read the first chapters in Don’t Let the Wind Catch You by clicking on the title. Let me know what you think by contacting me at aaron dot lazar at yahoo dot com.
Aaron Paul Lazar
*I’ve read a lot of books on Indians lately, and have been educated to discover that most tribes don’t like being called Native American, they prefer either their tribe name (like Seneca or Cherokee), or native people, or Indian. So I’m trying to dump the PA term from most of my discussions to honor them.
~~~
I can definitely relate to what Aaron is saying. I have most of the genetic traits of Native Americans, and my grandmother quite a few generations back is said by one side of the family to have been a full-blood Cherokee escapee from the Trail of Tears. Another side of the family says she was full white. But those genetic markers say that SOMEONE in my family had Native blood. I'm just not sure where. I do know that I am one of the few people in the State of Alabama that has been recognized in court by the Western Band of Cherokee as BEING Cherokee. I am honored in that.
-Stephanie Osborn
http://www.stephanie-osborn.com
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