Banner

Banner
Showing posts with label steampunk. Show all posts
Showing posts with label steampunk. Show all posts

Wednesday, August 27, 2014

Stephanie Osborn's DragonCon Schedule

by Stephanie Osborn
http://www.stephanie-osborn.com

Okay folks! Yours truly will be officially attending DragonCon this year! Due to circumstances beyond my control I was unable to attend Nine Worlds Convention and LonCon-3/WorldCon in London UK this year, as planned, but unless something really DRASTIC happens (and I'm talking somebody in the hospital or the morgue drastic), I WILL BE at DragonCon!

And since I thought a few of you might like to know my schedule, here it is, fresh from the planning folks.



~~~

Title: Reading: Stephanie Osborn 
Time: Fri 04:00 pm Location: Roswell - Hyatt (Length: 1)
Description: From 'A Case of Spontaneous Combustion'
Track: Readings

Title: First Contact: Make & Create Aliens
Time: Fri 08:30 pm Location: Embassy A-B - Hyatt (Length: 1)
Description: Skilled professionals brainstorm an alien and the first contact that might result.
Track: Sci-Fi Literature

Title: The Detective & The Ripper
Time: Fri 10:00 pm Location: Augusta 1-2 - Westin (Length: 1)
Description: Victorian fact and fiction meld as panelists examine and share theories about the world's greatest detective and famed first serial killer.
Track: Alt Hist

Title: Practical Time Travel
Time: Sat 04:00 pm Location: Augusta 1-2 - Westin (Length: 1)
Description: The science and real theories behind time travel and a survey of time travel in speculative fiction and media.
Track: Alt Hist

Title: Race & Gender Issues
Time: Sat 07:00 pm Location: Augusta 3 - Westin (Length: 1)
Description: This discussion panel explores how to handle historical gender and race roles within the realm of alternate history.
Track: Alt Hist

Title: Autograph Session
Time: Sun 01:00 pm Location: International Hall South - Marriott (Length: 1)
Track: Autograph

Title: Putting Humans on Mars
Time: Mon 10:00 am Location: 309-310 - Hilton (Length: 1)
Description: A discussion of the issues that must be resolved before boots on Mars can be accomplished.
Track: Space

Title: Victorian Technology
Time: Mon 11:30 am Location: Augusta 1-2 - Westin (Length: 1)
Description: A panel discussion of the technology of the Victorian era and how to exploit it for stories or imagination.
Track: Alt Hist


~~~

Do note that schedules can change at the last minute. Also note that in some cases I will be scuttling between hotels on bad knees, with more or less back to back panels. (Dragon is wise and allows half an hour between scheduled panels for people to make this traverse, but for those of us who are handicapped, it may still be difficult.) So if I'm supposed to be on the panel but it starts without me, hang on! I'll get there as soon as I can!

Wednesday, May 7, 2014

Elements of Modern Storytelling: Romance, A Guest Blog by Dina von Lowencraft

By Stephanie Osborn
http://www.stephanie-osborn.com

Today we welcome Dina von Lowencraft to the party! Dina's current book is Dragon Fire, a fantasy with plenty of mystery and suspense thrown in. (Have you noticed how many of our authors tend to cross genres? I have. And I'm one of them.) Publisher's Weekly says, "In Lowenkraft’s science fantasy novel [Dragon Fire], the Draak, alien shape-shifting dragons inhabit the Earth unbeknownst to humans, whom they regard as cattle to be exploited. Though nearly driven to extinction by war, the Draak are still consumed with old vendettas. ...Lowenkraft seasons her tale with a critique of the abusive relationships seen in popular works like the Twilight series." 

So now let's see what she has to say!


~~~


Dina:


Certain themes always come back in my writing  whether I set out to write about shape-shifting dragons, cyborgs or steampunk assassins. And one of those themes is romance. So when Stephanie asked if Id be interested in writing a guest post on romance as an element in modern storytelling, I jumped on the chance!

When I first began to write, I just wrote. I didnt think about the themes I wanted to write about or even what genre I wanted to write. But after trying my hand at a few manuscripts, it became clear that the themes I write about are all YA (young adult) themes. I dont consider a book to be YA because the protagonist is a teenager, but rather because the issues (and/or the manner in which those issues are dealt) are in keeping with what young adults are going through. The late teen years are full of change and development – emotionally, physically and personally. It is a time of questioning  of personal identity, of parents, of the society at large, etc. Teenagers are constantly re-making their world, destroying one and creating another. As a young adult I loved that feeling of power, of endless possibility, of freedom. And I still do.

As young adults discover the world, they discover who they are and what they believe in. The sense of time, of perspective, of what love is, is not the same for a Young Adult (first loves, hormonal changes, endless possibilities for the future, etc.) as for a New Adult (probably once hurt and more cautious in love, about to start a job, set up their own house, focus is generally more on pragmatic questions etc.) or an Adult (either in or out of a relationship, but with responsibilities and external demands on their time, and often with a set view of the world and their place in it).

The passion of the young adult protagonist, mixed with the desire to create a better world for themselves or for others, is explosive. I love writing about characters who are forced to choose between what they have been brought up to believe and what they see elsewhere  especially if that choice means giving up something significant such as true love or their future in their community. The choice can be to stay or to change, but it always costs them something. This passion to live, to be true to oneself, to discover new aspects of oneself and others is an obvious opening to romance.

Which is perhaps why romance is often an integral part of the YA genre, even if it isnt the primary focus of the book. Think of Twilight where the story wouldnt exist without the romance between Bella and Edward versus The Hunger Games where romance is not the focus of the story, but it lurks in the background as Katniss deals with a world gone wrong and how to make it a better place. Although there are a few YA books that dont touch upon romance or sexuality, most do.

Emotions and convictions are strong for young adults, and death is so far away that they feel invincible. Everything is fresh and new  and meaningful. First love, first sexual experiences, first heart break…the power of those first relationship(s) is enormous. Whether they last or not, are pleasant or unpleasant, they are likely to color how that person sees the world thereafter. It is part of what will shape their world view, and perhaps even the view they have of themselves. This makes it an intense and powerful element of each characters plot arc. In my YA fantasy, Dragon Fire, my main protagonist, a shape-shifting dragon, falls in love with a human. This changes his view of humans, and his willingness to accept that they are expendable. Which then forces him to go against his community, jeopardizing both his own life and that of his human love interest. The story is not only about this forbidden cross-species love affair, but it is a major element of the plot and of my main characters development as a sentient being.

Although I dont write romances per se, all of my stories have romance as a major or minor plot element. Romance flows as naturally from my characters into their plots as it does in young adults everywhere as they discover who they are, what they believe in and who they want to be with.

Thank you, Stephanie, for asking me to write about this element of modern story telling that is such an integral part of my manuscripts  I have enjoyed reading everyones take on it and look forward to the next installment where another aspect of writing is discussed!




Author Bio:

Born in the US, Dina has lived on 4 continents, worked as a graphic artist for television and as a consultant in the fashion industry. Somewhere between New York and Paris she picked up an MBA and a black belt. Dina is currently the Regional Advisor for SCBWI Belgium, where she lives with her husband, two children, three horses and a cat.

Dina loves to create intricate worlds filled with conflict and passion. She builds her own myths while exploring issues of belonging, racism and the search for truth... after all, how can you find true love if you don’t know who you are and what you believe in? Dina’s key to developing characters is to figure out what they would be willing to die for. And then pushing them to that limit.

Dina is repped by the fabulous Kaylee Davis of Dee Mura Literary.


~~~

Thank YOU, Dina! This is a fascinating take on romance from the mind of a YA writer! Folks, Dragon Fire has had RAVE reviews, and it's well worth your while! Go have a look!

-Stephanie Osborn
http://www.stephanie-osborn.com

Wednesday, November 27, 2013

Excerpt: The Bunker

The Bunker is a short story that was originally published in the very first volume of the immensely popular Dreams of Steam anthology series of steampunk fiction, published by Kerlak/Dark Oak Press. When the rights reverted back to me, I decided to pursue getting it published as a standalone ebook short, through Chromosphere Press. I also have it available on CD as an audiobook, and plan to get it up on Audible as an audio download. Here's the promo blurb:

We all know that, in the Victorian era, Earth was invaded by aliens from another world. We have details on what happened in Europe, especially Great Britain.

But what happened in the Western Hemisphere? What happened in the United States?


An elderly inventor tells his young apprentice this tale, the tale of what happened in The Bunker.

-Stephanie Osborn
http://www.stephanie-osborn.com

~~~

 
“What’s that you have there, Henry?” the man asked, turning as his apprentice trundled in a large wooden crate on a hand truck.

“Delivery for you, sir,” Henry, a tall, lank youth, noted, easing the hand truck to the floor of the room. “This came with it.” He proffered a letter.

His master took the letter and opened it, scanning down through it. “Oh. My, my, my. Sooner than I would have thought. I’d forgotten all about this thing. Get a prybar, lad.”

Henry ran for the prybar on the tool rack, and came back. His teacher held out his hand, and Henry placed the bar into it, then watched as his senior eased the lid off the crate. The apprentice helped remove the kapok packing, then stared down at a wonder of brass, metal, and wood. “What is it?” he whispered, awed.

His mentor laughed. “No, you wouldn’t know about it,” he said. “Sit down by the fire, Henry, and let me tell you a little tale…”

They moved to the fireplace in the far corner of the room. There, a rocking chair sat on one side of the fire, a short three-legged stool on the other side. Henry took the stool as the teacher settled into the rocker. A light tap of the master’s toes set the chair in motion, and as he began his story, his voice was in counterpoint to the soft creak of wooden joints.

“Some years back,” the man said, “when I was a few years older than you are now, I was a telegrapher. A damn fine one, if I do say so. I was working in the Midwest that summer when an urgent message came in – for me. I was called immediately to… well, it wasn’t Washington, D.C. precisely. It was a town nearby in Virginia called White Sulphur Springs, and I was told to approach the front desk of The Grand Central Hotel and speak with the man who would be waiting there. Not only that, but my rail fare would be taken care of by the mere mention of my name.”

Henry gaped.

“Exactly,” his teacher chuckled. “I daresay my expression was much the same at the time. At any rate, I ran home, gathered my things, and set off, for the message came from a VERY high and reliable source, and brooked no delay.

“It was a long journey, and I can tell you, I was damned tired of the train by the time I reached my destination. I got directions and found my way from the station to the hotel, where I approached the desk clark and gave him my name. His eyes widened. ‘Yes sir,’ he said, ‘we’ve been waiting for you. Follow me, please sir.’ Sir. To me. A young whippersnapper of… mm, I think I might have been all of nineteen, if memory serves. And you’ll never guess what happened next.”

“I’m sure I shan’t,” Henry avowed.

“He led me into a back room and opened… a secret door, Henry! I followed him in, and we went down a set of spiral stairs. Down, and down, and down. At the bottom was a cave, for the hotel was built on the site of a sulphur spring, where people would take the waters. And in that cave was a fair beehive of people. I couldn’t begin to tell you everything that was going on there, even if I were permitted, which I am not… as yet. But this much I CAN say: I was brought there to coordinate, collate, send and receive the most urgent of telegraphy messages – for we were being invaded.”
“INVADED?! Sir!” Henry exclaimed, eyes wide.

“Yes, Henry, invaded. And not from Europe or Mexico or the like. No, these invaders… were from another planet.”  

~~~

So, it seems that the carnage might not have been limited to Great Britain. Interested in what happens next? Find out by reading The Bunker!

Amazon Kindle
Audio CD (bottom of page)

-Stephanie Osborn
http://www.stephanie-osborn.com