http://www.stephanie-osborn.com
Today is the official release date (and book bomb) for Barb Caffrey's new novel, An Elfy on the Loose! Barb is something of my protege, and when I read the original manuscript (which became An Elfy on the Loose and its sequel), I knew we had to get this into print. So I paid it forward; just as Travis Taylor helped me get published by submitting to publishers he knew, so I did for Barb. And here we are today, and I'm almost as proud as she is! I'm going to quote the review I posted at Amazon, and every word of it is truth:
This book has almost everything: fantasy, mystery, romance, suspense, thriller, paranormal, you name it -- and that sounds like it would be a hodgepodge, doesn't it? But it isn't. Everything flows together beautifully, leaving a fascinating story that will keep you on the edge of your seat! I highly recommend it, and since I don't usually write book reviews, that's saying a good bit!
What I didn't know was how Barb came to write the book in the first place, so I asked her to tell me in her guest blog for today!
~~~
"On the Writing
of AN ELFY ON THE LOOSE"
by Barb Caffrey
To discuss how I wrote AN ELFY ON THE LOOSE – much less why I
wrote it in the first place – I need to discuss the most important person who's
ever been in my life: My [late] husband, Michael B. Caffrey. Because without him, AN ELFY ON THE LOOSE – much less the
entirety of the Elfyverse – would not exist.
Michael was a much more assured
writer than I was when I met him back in 2001, as he'd written two full
novels and was working on another one. (I've managed to extract two stories
from his first novel, and those stories, A Dark and Stormy Night and On Westmount Station, are available at Amazon as e-books.) Michael
also was an accomplished editor, and was probably the best person I could've
been around as I started to seriously write fiction.
However, when we married in 2002, the
novel I was working on wasn't AN ELFY ON
THE LOOSE. I had no idea that I was about to write AN ELFY ON THE LOOSE, either, nor that I'd write more than 240,000
words in the space of about thirteen months.
So what happened to jog loose the
story of Bruno the Elfy and Sarah, his Human companion and friend? And why did
I listen back in September of 2002 when Bruno popped up and said, "Hey,
over here! I have a story to tell?"
Back then, Michael and I had just
gotten back to San Francisco ,
California
When a character appears, fully
formed, it's best to listen to what he has to say. But all I knew, when I started writing, were three
things: Bruno liked to wear black – when his race, the Elfys, mostly loved
bright colors. He was the equivalent of a teenager. And he did not like to
rhyme, even if all the other Elfys did.
Even so, that was enough for me to
start writing what I then called "The Elfy Story." I wrote the first
six parts or so – less than chapters, about a thousand words per part – alone.
Michael took a hand when I got to the seventh part because I had some sort of
problem I couldn't immediately solve, and he got intrigued. Then he figured
this story had legs, and he wanted to help me figure out where it went.
What did he do, exactly? Well, I
have an Elfy Lexicon in the Bilre
language – Bilre being what the Elfys
speak, of course – and I wouldn't have that without Michael's help. He also
helped me hash out how the Elfys are governed, and what their society is like. Trade is a must,
and whoever Trades with all the other races can be a very wealthy and powerful
person, but knowledge, too, is essential – because if you don't know what's
likely to be important to each species, how could you possibly relate? (Or
Trade, either?)
In figuring all of that out, we decided that the
Elfyverse must be a true multiverse, where the various races tend to have worlds
(or levels) of their own. And each race is different; for example, I knew from
the beginning that Elfys were a type of shorter Elf (no Elfy is taller than
four feet, two inches unless he or she is of mixed blood), but didn't have the
same set of strengths and weaknesses as the Elfs (never Elves, as if you call them that in the Elfyverse, the Elfs will
charcoal you for your presumption). And I knew that we had at least three races
involved – Elfs, Elfys, and Humans. But as time went on, I knew the Dwarves
were present (as they built air-cars), as were the Trolls, and maybe even the
Ogres...
Still, world building aside, why should anyone care about
Bruno just because he's an Elfy and from a magical society? You'd think that someone
who has magic, and a lot of it, would be too hard to root for, right?
Not in Bruno's case. He's an orphan, a ward of the
state, and because of a past traumatic brain injury, he doesn't remember
everything he should. Further, most of what he's been told about himself is
wrong. Worse yet, the Elfy High Council is so afraid of Bruno's potential
magical power that they've intentionally mistrained him before sending him off
to the Human Realm (our Earth), intending to maroon him there forever.
Despite all this, Bruno never completely loses his
sense of humor, which appealed to me. He refuses to give up – it's just not in
him – and that, too, appealed to me. So I kept writing...and my husband
kept editing.
As I wrote, I learned that Bruno had landed in a
house that was haunted. And where he mostly couldn't do magic. And where he
only had one friend: the strange Human girl Sarah, with whom he had to make common cause due to her loathsome parents (as one
of my friends put it, "Sarah's parents are straight out of reality
TV"). They're in a bad situation, but it quickly gets worse when Bruno's
mentor Roberto tries to rescue them, but instead ends up getting captured
himself by Sarah's terrible parents. Who are themselves in thrall to a Dark Elf,
who's up to no good...and then, of course, they fall in love, and
everything gets better in a weird way because that's what love does, despite
everything else going to the Hells in a handbasket.
With all of that going on, Bruno and Sarah realize
they have to gather allies. But how can they? Bruno's new to the whole Human
Realm (our Earth), while Sarah's been told her whole life that she's
unimportant and way too young to be bothered with. And they need both Elfy and
Human allies, which isn't going to be easy...
But somehow, some way, they will do it – or die
trying.
With this huge, complex plot, I
could've easily gotten lost. Fortunately for me, Michael was there every step
of the way. He told me when I'd get frustrated, "Don't worry. The story
will come." Or he'd tell me jokes in a similar way Bruno tries to do with
Sarah from time to time in AN ELFY ON THE
LOOSE (where do you think I got that from, hm?). Or he'd help me draw
diagrams when I tried to figure out why the Elfy High Council did anything at
all...plus, he edited what I wrote, gave me excellent advice, and heavily edited nearly all of Dennis the Dark Elf's dialogue to make it even nastier and more
hissable.
What more could anyone ever ask
from her spouse than that?
So, in closing, if you enjoyed any
part of AN ELFY ON THE LOOSE, please
remember my husband Michael. Without his presence in my life – without his
understanding, patience, and love – this novel would not exist. Because I'd not
have known enough about love to write it.
~~~
And there's her story, and it's delightful and wonderfully romantic. And so is her book! I urge you to purchase An Elfy on the Loose for your Nook or Kindle right away! Like I said, we're book-bombing her today anyway, so what better time to buy, than to help a new author? Go forth and read!
-Stephanie Osborn
http://www.stephanie-osborn.com
